
If you want a terrific cocktail, get away from the French Quarter is what I learned. For a city known for inventing and perfecting so many classic cocktails, from the basic Sazerac to the often complicated (or very basic) Hurricane, finding a worthwhile cocktail or beer from a bar not named Cure or affiliated with Cure became a steep challenge.
Cure has already been documented here, crafting what I’ll go on record as the premier cocktails in this city, and certainly a challenger for the best in this whole country. They are serious over there about the drinks, yet so relaxed in atmosphere. Cure is a breath of fresh air in the mixologist circuit. Luckily, the minds behind Cure have now opened up a second bar, Bellocq, on the Robert E. Lee Circle and St. Charles Avenue, near the Central Business District and a block from the World War II Museum. Bellocq is part of, but unattached to the Hotel Modern, forming quite the 1-2 drink and eat punch with the next door restaurant Tamarind by Dominique (Harrison Ford would agree as visited the restaurant the night I was there). The seductive lounge feel of Bellocq is more swank than Cure, a little bit more chic, intimate, and classic feeling with a grand piano in one corner and velvet couches in place of plush booths. While Cure evokes the trend of Prohibition era drinking without being a speakeasy like the rest of the cocktail world, Bellocq runs even further back in time to the late 19th century.
New Orleans photographer E.J. Bellocq is the namesake for the bar, who became famous for his pictures of madams in Storyville, the city’s old Red Light District. The sexual revolution theme is celebrated in the sleek, sexy vibe, the frequent burlesque shows, and of course the Bellocq photos that decorate the walls. While Cure focuses most on crafting intricate, multi-dimensional, thought-provoking wonders of cocktails, the 19th century theme of Bellocq is reflected drink-wise by its emphasis on cobblers– basic cocktails of a spirit or apertif accompanied by one or two elements, served in a frosted cup with a mound of beautifully manicured crushed ice, garnished with a few grapes and assorted fruits. Essentially choose your alcohol of choice, and a little juice or essence joins it in the cup. In the 19th century, drinkers either chose to not get smashed or got smashed very easily, so an apertif such as port or Cocchi Americano is a terrific base for a cobbler. I’d recommend the startling depth of a Madeira or the sweet nutty essence of Amontillado Sherry.

The cobblers go down quickly, yet don’t effect you like a real cocktail. That’s the point. You don’t have to stagger off the bar stool after every drink. A cobbler is an idyllic refresher on a hot New Orleans afternoon. It’s not a ground-breaking drink like the menu at Cure. However, this being a bar run by Cure, you can absolutely get an exceptional Sazerac or Cure-caliber, innovative cocktail as well. Great bartenders know how to make great drinks, no matter what century the bar’s theme is. Try a cobbler, then grow ambitious.Continue reading “Sazeracs, Hurricanes, Ramos Gin Fizz: Challenges with Cocktails in New Orleans”










